The Qibla and Origin: The Distinction Between ‘Afaki’ and ‘Mecceli’
In the works of Jalaluddin Rumi, the dervish’s inner journey intertwines with understanding the cosmic map of the universe. In this context, the distinction between ‘Afaki’ and ‘Mecceli’ symbolizes not just a geographical difference but also different perspectives. Mecca is the heart of Islamic belief and the qibla; turning towards it signifies a spiritual orientation. An ‘Afaki,’ however, represents one who seeks that sacred direction even while being distant from this center. This applies to the dervish’s inner world as well: although he may have distanced himself from external influences and worldly conditions, his desire for spiritual truth constantly draws him toward Mecca, i.e., his origin.
The Two Faces of Literature: Plundering and the Sun
The symbols found in Mevlana’s works contain different layers of meaning. A word like “plundering” (Yağma), although initially evoking negative connotations, can evolve into deep meanings in literature; this expresses the ups and downs of life and how even painful experiences can be lessons. Similarly, the symbol of the